黄锋：废品收购仓库的再构 - 设计腕儿【腕儿案例】

黄锋：废品收购仓库的再构

项目地点：福州 | 2017-12-04 498 3

“日生欢喜”茶生活馆独立于纷繁喧嚣的城市中央，由原是废品收购站的老建筑改造而成。设计师充分挖掘老建筑的丰富韵味和含蓄内涵，与茶温厚、宽广的品格特质两相结合，并借鉴传统合院的格局关系，创造出自在欢喜的生活体验空间。

“Risheng Liking” Tea Life Museum is located in the noisy downtown center; it was reconstructed from an old building that was ever used as scrap collection station. The designer fully dug out the rich flavor and subtle connotation of the old building; in combination with warm and broad trait and characteristics of tea, the designer referred to the pattern of traditional courtyard, and created a homelike and joyful life experience space.

老建筑黯淡了的光辉与梦想，经由现代合院的重构，茶的情感联系，生发出云淡风轻的闲适喜悦和高情远致。在建筑10余米挑高的结构之下，现代合院与斑驳的墙壁相得益彰。合院的每个单元体块功能造型皆不一，轻重转换收放自如。而为了保护老建筑，所有新建造的单元都和旧墙保持着近一米的距离。原有的坡屋顶结构也得到完好的保留，成为一种延续和表达记忆和情感的载体。

The dull glory and dream of the old building, through reconstruction of a modern courtyard, with sentimental association of tea, generates clear leisurely joy and lofty spirit and pure emotion. Under the structure of more than 10 meters, the modern courtyard and mottled walls complement each other. Each unit block of the courtyard has different functions and modeling, with free conversion between brisk and dignified styles. In order to protect the old building, all the newly built units remain almost one meter away from the old walls. The original sloping roof structure had been well preserved, and became a carrier to continue and express memory and emotion.

传统合院正对着大门的影壁在此抽象转化为一道简洁的白墙，白墙和走廊的入口相连，连贯统一的造型凸显现代简约之美。由欧松木和玻璃构成的展示空间，在与室外景观进行和谐互动之余，街道景观和自然光借由玻璃的折射和扩散，进入室内大放异彩。和展示空间相对应的单元，是一座漂浮的玻璃盒子。在故意弱化底座存在感的处理之下，玻璃的磨砂效果为盒子增添了几分神秘的色彩。盒子里是两间雅致的茶室，窗外清幽的街道绿意盎然，足够为到此觅静的茶友提供理想的清静之地。与影壁对应的另一边，是相对封闭的办公室。黄锋巧妙地采用裱糊宣纸的双隔层墙，并将灯光隐藏其中，氤氲的光影透露着丝丝古意和温暖。

The screen wall facing the gate in traditional courtyard was converted into a concise white; the white wall is connected with the entrance of corridor; the coherent and uniform style highlights modern minimalist beauty. The display space formed by pine wood and glass harmoniously interacts with outdoor landscape; the street landscape and natural light enter the inside through the refraction and diffusion of glass and yield unusually brilliant results. The unit that corresponds to the display space is a floating glass box.With deliberate weakening of the presence of the base, the frosted effect of the glass adds some mysterious atmosphere to the box. There are two elegant tea rooms in the box, and the quiet streets outside the window are green and provide an ideal place for the tea lovers who seek tranquility here.On the other side of the screen wall, there is a relatively enclosed office. Huang Feng cleverly used a double-interlayer wall is pasted with Chinese art paper, and hide lights in the wall; the dense shadow seems to be full of interest and charm of antique taste and warmth.

“垂钓坐盘石，水清心亦闲”，此中正是文人雅士追求清淡玄远境界的方式之一。设计师院中造“湖”，白天斜光下澈，影布石上，晚上四周灯火斜倾，屋舍倒映；坦荡、惬意和柔软清新弥漫着整个空间，此时意已不在茶，在乎的是喝茶过程中所产生的觉悟和美妙心境。

"Sitting on rock for fishing, enjoying clean water and leisurely mind”; this is one of the ways for literati to pursue the mild, profound and lasting realm. The designer created a “lake” in the courtyard; in the daytime, the light obliquely enters into the water and shadow is cast onto the rock; at night, the lights in the surrounding seems to be oblique and the house is reflected on the water surface; magnanimousness, coziness, gentleness and freshness are diffused in the whole space; tea is not the focus, what people care is the consciousness and wonderful mood that could be felt by drinking tea.

“其实这型体本来就存在于大理石中，我只是把不需要的部分去掉而已。”建筑大师米开朗琪罗认为创造的本质便是还原作品本身。在这座故事饱满的现代茶生活馆中，正是设计师以对建筑本身的特质和茶文化的深刻认识，创造出时尚简约又不乏艺术感的觉修之所。

"Actually, this style originally existed in marble, and I just removed the unnecessary parts." Michelangelo, the architect, thought that the essence of creation is to restore the work itself. In this modern tea life museum full of story, it is the designer’s profound comprehension about idiosyncracy of the architecture and the tea culture that created a fashionable, simple and artistic place of practice perfection.