空间是体现在他自己的世界中的自我意识，有什么样的人，就有什么样的空间。

---------赖特

Space is a self-consciousness embodied in his own world. What kind of people , what kind of space.

--------Wright

此项目位于杭州钱江世纪城望京，毗邻亚运村，有钱塘江，有绿，有火车，同时紧挨城市CBD，有高楼，有霓虹灯，有混凝土。

The project is located in Wangjing, Qianjiang Century City, Hangzhou. It is adjacent to the Asian Games Village has Qiantang River, green, and trains, and it also closes to the CBD has high-rise buildings, neon lights and concrete.

于是我将基本的功能做了分区。过渡空间把办公空间与会客空间分开，有意的通过一些空间与结构关系将动线拉长，以便增加流线步数。

So I partitioned the basic functions.And the transition space separates the office space from the meeting space, lengthens the moving line deliberately through some spatial and structural relationships to increase the number of streamlines. 

最起初构思此案时，我对空间的探索性与引导性做了实验，尝试用空间去传递想表达的心理与行为暗示，包括邀请，仪式，偷看，意外，层次，穿插，虚空间，光。

When first conceived the case, I experimented with the exploratory and guiding of space,and tried to use space to convey the psychological and behavioral I wanted to express, including invitations, rituals, peeks, accidents, levels, interspersed, virtual spaces, Light. 

艺术家James Turrell，思考如何将艺术作品融入到空间，成为空间的一个组成部分。对于空间吊顶与墙面局部的特殊处理，由于结构的改变，光的融合度也产生了变化。利用两层光与光膜的实验，让一种颜色的光包住另一种颜色。

James Turrell thinks about how to integrate art into space and become an integral part of space. For the special treatment of the space ceiling and the wall surface, the degree of light fusion has changed due to the structural changed. Using two layers of light and light film experiments, one color of light envelops another one.

关于结构，一直以来对建筑空间特别向往。雕塑性和立体性的空间对我而言更具有吸引力。对于空间表现来说，我更希望是有关于心理由浅入深的层次表达，通过结构关系的引导，让空间与空间过渡变的更有趣。

Regarding the structure, I always have a special desire for architectural space. The sculptural and three-dimensional space is more attractive to me. For spatial performance, I hope that there will be a level of psychological expression from shallow to deep. Through the guidance of structural relations, the transition between space and space transition will be more interesting.

有一处神秘的空间，在整个大空间中想私藏一处收藏与私密的会客室，思考来源是禁酒令时期的机关藏躲。我们采用的是机械结构结合一扇定制的半圆形的门，处于空间的尽头，带着一条竖向的光。人们不知这扇巨型的人半圆门通过智能控制，缓缓移动，一处私密空间藏与空间的背后。

There is a mysterious space. In the whole large space, hiding a collection and private meeting room. And the source of reflection is the hiding of the organs during the prohibition period. We use a mechanical structure combined with a custom semi-circular door at the end of the space with a vertical light. People don't know that this giant human semi-circular door moves slowly through intelligent control, hiding behind a private space and space.

在空间施工过程中，遇到了很多的“意外”。对于这些“意外”，我都是特别期待的。它们是故事的一部分，因而我更多的是保留，让它们在这个空间里散发自己的魔力。

In the process of space construction, I encountered a lot of "accidents." I am particularly looking forward to these "accidents." They are part of the story, so I do more reserve and let them distribute their magic in this space.

建筑与空间的幸福感和幽默感是我一直在追寻的方向。这个世界不缺乏有意义的事，却缺乏有意思的事！ 

The happiness and sense of humor in architecture and space is the direction I have been pursuing. The world does not lack meaningful things, but it lacks interesting things!

项目名称 l  PROJECT NAME

OLIIII CHINA

设计单位 l  DESIGN  

I.F.S.E. SPACE CREATIVE LAB

主案设计 l  CASE DESIGN

朱啸尘（Eason Zhu）

设计团队 l  DESIGN TEAM

凌宗生（Alex Lin）  柴尔焕(Erhuan Chai)

项目类型 l  PROJECT TYPE

办公空间 Office Space

项目规模 l  PROJECT SCALE

600m2

施工单位 l  CONSTRUCTION 

杭州艾丽蒙特工程有限公司 Hangzhou Element Engineering Co. Ltd. 

项目摄影 l  PROJECT PHOTOGRAPHY

施峥(Zheng Shi)  陈琳(Lin Chan)

项目地址 l  PROJECT ADDRESS

萧山望京(Xiaoshan Wangjing)

完工时间 l  COMPLETION TIME

2018/6

撰文 l  WRITTING

朱啸尘（Eason Zhu）